Pam Hall’s work in rural locations in Newfoundland and elsewhere has been ongoing since the late 1980s. Drawn deeply to place and to the labour of practice (and the practice of labour), she has worked with and around rural knowledge-holders, especially in the fisheries, for many years. Her parallel interests in the body, especially the female body, have also provided sites for her exploration of what knowledge might be, who “makes” it and who has the power to “name” it as knowledge and thus provide the basis for its value. Her work as an artist and a scholar has always been interdisciplinary, often been collaborative, and relies on and reveals a deep and profound attachment to this island and those who have invited her to make it her home for almost fifty years. Jerry Evans is a senior Mi’Kmaw visual artist, curator and filmmaker. His work has explored his indigenous heritage through painting, printmaking, and film, and he curated FIRST, the 1996 inaugural exhibition of indigenous art in Newfoundland and Labrador. The Middle River is his first major community collaboration with another artist and represents his ongoing exploration and celebration of Mi’kmaw and other indigenous experience in NL.